Pioneering Japanese synth-pop group second only to Kraftwerk in influence. [22][23] The group leader Haruomi Hosono had already been using an Ace Tone rhythm machine since early in his career in the early 1970s. Yellow Magic Orchestra discography and songs: Music profile for Yellow Magic Orchestra, formed 1978. 01. Das Yellow Magic Orchestra (Y.M.O.) Public Pressure. [43] YMO also headlined their World Happiness festival on August 12, 2012.[44]. Auf diese Weise bekamen Y.M.O. Titled “ラップ現象” (Rap Genshou), the lyrics were co-written by Haruomi Hosono and Peter Barakan. [10][15], Sakamoto first worked with Hosono as a member of his live band in 1976, while Yukihiro Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. innerhalb 1-2 Wochen. In August 2009, the band played the World Happiness festival in Japan, featuring many Japanese artists. [30], The 1980 song "Multiplies" was an early experiment in electronic ska. The band was named "Harry Hosono and the Yellow Magic Band" as a satire of Japan's obsession with black magic at the time,[16] and in late 1977 they began recording Paraiso, which was released in 1978. The early 2000s saw Hosono and Takahashi reunited in a project called Sketch Show. [59][60][61] It also introduced features such as a keypad to enter note information and 16 KB of RAM which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8–16 step sequencers of the era. Hosono invited both to work on his exotica-flavoured album Paraiso, which included electronic songs produced using various electronic equipment. [88][89] The "terse videogame-funk" sounds of YMO's "Computer Game" would have a strong influence on the emerging electro and hip hop genres. Jahrhunderts von ihnen maßgeblich mitbeeinflusst. [16] Their albums Solid State Survivor and X∞Multiplies held the top two spots on the Oricon charts for seven consecutive weeks in 1980, making YMO the only band in Japanese chart history to achieve this feat. The song was later revised by Michael Jackson, who added new lyrics and had intended to include it in his album Thriller. [17] The three worked together again for the 1978 album Pacific, which included an early version of the song "Cosmic Surfin". Genres: Synthpop, Electropop, City Pop. Diese Seite wurde zuletzt am 14. [66] As a result of such innovations, YMO were credited at the time for having "ushered in the age of the computer programmer as rock star. Informationen zum Album X ∞ Multiplies (1980) von Yellow Magic Orchestra On the other hand, the YMO trio contributed to her own albums and became part of her live band, during these same years. Diese Einkaufsfunktion lädt weitere Artikel, wenn die Eingabetaste gedrückt wird. Die erfolgreichste Singleauskopplung aus dem Album und Y.M.O.s größter internationaler Hit, Behind the Mask, wurde später von Ryuichi Sakamoto für eine Soloveröffentlichung 1987 neu bearbeitet. In HMV Japan's list of top 100 Japanese musicians of all time, YMO were voted second place, behind only Southern All Stars, a pop-rock band who remain largely unknown outside Japan. Hosono holte daraufhin beide zur Fertigstellung seines Albums “Paraiso” ins Boot. [56] Soon after Technodelic, the LMD-649 was used by YMO-associated acts such as Chiemi Manabe[57] and Logic System. [62], At the time, Billboard noted that the use of such computer-based technology in conjunction with synthesizers allowed YMO to create new sounds that were not possible until then. [31] These influences on YMO included Japanese electronic music (such as Isao Tomita),[49] traditional Japanese music, experimental Chinese music (of the Cultural Revolution era),[45] Indian music (such as Ravi Shankar and Bollywood music),[19] arcade game samples,[16][50] American rap,[32] exotica,[31] Caribbean ska,[31] Giorgio Moroder's disco work,[4] the Beatles, the Beach Boys and their leader Brian Wilson,[51] Van Dyke Parks,[citation needed] classical music,[11] animal sounds,[52] and noise. [31] "Computer Game" (1978) also influenced Sheffield's bleep techno music; the Warp record, Sweet Exorcist's "Testone" (1990), defined Sheffield's techno sound by making playful use of sampled sounds from "Computer Game" along with dialogues from the film Close Encounters of the Third Kind (1977). [21][22], While Sakamoto was working on Thousand Knives, Hosono began formulating the idea of an instrumental disco band which could have the potential to reach success in non-Japanese-language territories, and invited Tasuo Hayashi of Tin Pan Alley and Hiroshi Sato of Uncle Buck as participants, but they declined. Das Yellow Magic Orchestra (Y.M.O.) At around the same time, the 1980 song "Riot in Lagos" by YMO member Sakamoto pioneered the beats and sounds of electro music. [60] While it was commercially unsuccessful due to its high price,[60] the band were among the few bands at the time to utilize the MC-8, which they described as, along with its music programmer Hideki Matsutake, an "inevitable factor" in both their music production and live performances. Computer Game "Theme from The … [81] "Computer Game" (1978) was later included in Carl Craig's compilation album Kings of Techno (2006). [20] Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album. [10] "Behind the Mask" (1979) made use of synthesizers for the melodies and digital gated reverb for the snare drums. Yellow Magic Orchestra - Solid State Survivor - (Vinyl) im Onlineshop von MediaMarkt kaufen. Various cover versions of "Kimi ni Mune Kyun" (1983) have also been produced by other artists,[73] including The Human League in 1993 ("YMO Versus The Human League")[74] and Asako Toki in 2006. [69][70] By the 1990s, YMO were also frequently cited as pioneers of ambient house music. [28], Yellow Magic Orchestra released one-off reunion album, Technodon, and credited it to 'NOT YMO' (YMO crossed out with a calligraphy X) or YMO in 1993. Yellow Magic Orchestra - Samples, Covers and Remixes on WhoSampled. Meanwhile, Sakamoto would gain international success for his work as a solo artist, actor, and film composer,[36] winning Grammy, Oscar and Golden Globe awards. ),, Articles with dead external links from August 2018, Articles with permanently dead external links, Articles with unsourced statements from November 2014, Articles with unsourced statements from February 2011, Articles containing Japanese-language text, Articles with unsourced statements from June 2011, Articles needing additional references from February 2011, All articles needing additional references, Articles with failed verification from March 2017, Articles with Japanese-language sources (ja), Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, (US version has no skits, includes the songs from Solid State Survivor), This page was last edited on 21 December 2020, at 02:45. Yellow Magic Orchestra is a hugely influential early Techno band that has been called the Japanese equivalent of Kraftwerk, while their influence inside their home country has been likened to The Beatles. Die Mitglieder sind … Teilen Sie hier Ihre Erfahrung mit künftigen Besuchern dieser Veranstaltung. [49] YMO were one of the most important acts in Japan's "New Music" movement and paved the way for the emergence of contemporary J-pop in the 1980s. Mehr von Yellow Magic Orchestra gibt es im Shop. [99], YMO also influenced many video game composers and significantly affected the sounds used in much of the chiptune and video game music produced during the 8-bit and 16-bit eras. In 2012, Sakamoto helped organize the No Nukes 2012 festival held in the Makuhari Messe hall in Chiba, Japan on July 7 and 8, 2012. Wählen Sie aus erstklassigen Inhalten zum Thema Yellow Magic Orchestra in … In 2015, in the anime Sound! ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. Sie werden auch dort als Pioniere anerkannt und ihre Musik wird ungebrochen geremixt und gesampelt. Profile: Japanese electropop band, formed in 1978. In August 2010, YMO once again closed their World Happiness festival. It featured English lyrics by Chris Mosdell, whose sci-fi themes often depicted a human condition alienated by dystopic futures, much like the emerging cyberpunk movement in fiction at that time. [31] X∞Multiplies was followed up with the 1981 album BGM. Audio CD. [4][5] They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology,[4][6][7] and effectively anticipated the "electropop boom" of the 1980s. 1976 arbeitete Sakamoto zunächst mit Hosono in dessen Liveband, als Takahashi ihn 1977 zur Produktion seines Soloalbums rekrutierte. [58], The band often utilized a wide variety of state-of-the-art electronic music equipment immediately as they were made available. The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums) and Ryuichi Sakamoto (keyboards). Yellow Magic Orchestra. Solid State Survivor (Live Version) Yellow Magic Orchestra. 17 in the UK Charts. Yellow Magic Orchestra (YMO) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). [30] Young fans of their music during this period became known as the "YMO Generation" (YMO世代, YMO Sedai). Dieses Genre wurde Ende der 1970er Jahre von ihnen maßgeblich mitbeeinflusst. [4] The group is considered influential and innovative in the field of popular electronic music. [22] Electric instruments were also used, the Fender Rhodes piano and Fender Jazz Bass. 1984, nach Veröffentlichung ihres Soundtracks "Propaganda", widmeten sich die Bandmitglieder wieder ihren Solokarrieren, spielten aber dort weiterhin zusammen und traten auch weiter in TV-Sendungen auf. On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions. "[45] Kraftwerk was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members. [92] The 1980 release of "Riot in Lagos" was also listed by The Guardian in 2011 as one of the 50 key events in the history of dance music. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. [41] It was announced in February that YMO will perform at the Fuji Rock festival in July and the World Happiness festival 2011 on August 7 where they will debut new songs. [4] "Technopolis" (1979) in particular is considered an "interesting contribution" to the development of Detroit techno and the group Cybotron. 05:14 Komponisten: Yukihiro Takahashi. Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). Barcelona performance at Sonar festival and Wild Sketch Show DVDs chronicle these reunions, and include a tongue-in-cheek Japanese text-only history of the group that spans to 2036. The group is considered influential and innovative in … [75] In 2006, Senor Coconut paid tribute to the band with his Yellow Fever! They have briefly reunited several times in subsequent decades. He later proposed they rename the group Human Audio Sponge when he participates. ‎Hör dir Titel und Alben von Yellow Magic Orchestra an, unter anderem „Rydeen“, „Yellow Magic (Tong Poo)“, „Behind the Mask“ und viele mehr. ", "Chris Mosdell, quirky Boulder lyricist, wrote lyrics for newly released Michael Jackson song", "Pioneering Production Economy in the '80s", "Q&A With Ryuichi Sakamoto: Pop Pioneer And Producer And Award-Winning Soundtrack Composer", "Big in Japan: Yellow Magic Orchestra & Cibo Matto | Hollywood Bowl Presented by LA Phil", "Sakamoto gently rallies the troops for No Nukes 2012 | The Japan Times Online", "Yellow Magic Orchestra on Kraftwerk and How to Write a Melody During a Cultural Revolution", "Turning Japanese: The Philosophy of Ryuichi Sakamoto", "It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl", "The History Of Roland Part 1: 1930–1978", "Slaves to the rhythm: Kanye West is the latest to pay tribute to a classic drum machine", "Peter Stenshoel's Album of the Week: What, Me Worry?

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